Taylor Haskins, who’s done an impressive amount of soundtrack work, has put out an appropriately cinematic project here. Originally recorded in 2009, but just issued by NineteenEight Records earlier this month, Taylor Haskins + Recombination begins with the soaring sunrise of “Morning Chorale,” moves on into the rush-hour bustle ofRead More

by Tom Johnson Three-part harmonies, a verified guitar-god genius, and some of the lowest, thickest, sludgiest bass around — King’s X is like the Beatles of metal, but they go year-after-year depressingly ignored. They scored a few minor hits in the early 1990s and then pretty much sunk off theRead More

The Elements of Jazz is a quartet from Miami bills themselves as “The New Sound of Miami,” with its clean and lean jazzy grooves that sharply contrast with the “new sound of Miami” from the 80s, Gloria Estefan and the Miami Sound Machine. The one common element is that bothRead More

What was cool about Lester Young was that he kept evolving. All “Pres” did was: — Pave the way for bebop in the 1930s. — Presuppose, while playing clarinet with Basie back in the day, the cool California sound of Paul Desmond in Dave Brubeck’s 1960s band. — Later findRead More

Since 1999, alto saxophonist Travis Sullivan has made a record on average only about every six years or so. Perhaps it’s because he’s very much into his signature project leading the 18-piece big band Bjorkestra, a vehicle for his arrangements of songs by Iceland’s pop icon Bjork. Enjoy! (2008) isRead More

by Mark Saleski To my ears, the reference standard of piano duo recordings has to be that Chick Corea/Herbie Hancock thing. Monstrous, is what it is. This is a little different though. First, it’s Reed and Chestnut (duh). Second, there’s the presence of bass and drums (Dezron Douglas, Willie JonesRead More

by Tom Johnson The great Grant Lee Buffalo may have been long gone, but the heart was always just the voice and guitar of Phillips anyway, wasn’t it? In between takes as Gilmore Girls’ resident town troubador, Phillips found a few free moments to record this stripped down tribute toRead More

Those looking to get a groove going inside Count Basie’s sprawling, soul-deep catalogue should start with his 1970s stuff — where, more often than not, you find Basie in accessible, small-group settings. Here’s my favorite, a trio recording originally issued by Pablo that was reissued in 2006. I immediately connectedRead More

Insistent but quiet, Avi Wisnia begins with a bracing confidentiality, gently pulling you in the pillowy reverie of “New Year.” But, just like that, Wisnia shakes himself awake as Renee Warnick’s swooning voila surrounds him, moving from the brink of resignation into a contagious confidence: “Never turn your back onRead More

by Derrick Lord I’ll never forget my first night at a “real bar” when I turned legal. There used to be this place called Daddy Rawshucks Oyster Bar, which was the typical cool joint so common then and so rare now. No corporate logo needed. I was legal anyway butRead More