This remarkable lost classic was not released until 2000 — because the tapes were thought to have been destroyed … until they were found in a warehouse in 1999. Done just three weeks before Otis Spann’s death from liver cancer, Muddy Waters‘ most sympathetic pianist is featured primarily with hisRead More

by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side ofRead More

by Tom Johnson This trio is basically Bill Frisell’s home away from home, it seems. If he’s not putting out his own solo album, it seems like you can almost count on something from this trio sooner or later, where he indulges his more straight-ahead jazz tendencies. The joy inRead More

Israeli-born guitarist Roni Ben-Hur and Brazlian-born bassist Nilson Matta head a date with percussionist Café (another Brazilian) and American drummer Victor Lewis in tow, called Mojave. While the title might conjure up images of the American Southwest, pay closer attention to the native country of both the bass player andRead More

by Mark Saleski Saxophonist Dave Rempis’ co-conspirator on drums, Frank Rosaly, lays down some solid grooves and textures. Nothing here is quite as chaotic as say, Interstellar Space, but the music isn’t exactly subdued either. Rempis displays some impressive extended technique on tunes like “How to Cross When Bridges AreRead More

Oh, did I mention that the Who’s ‘Live at Leeds’ is extremely LOUD?

by Tom Johnson I really wondered what the move to Capitol Records would do to the Decemberists. Would they turn in something less than stellar, as happened with Death Cab For Cutie on their major label debut, Plans? Or would they stick to their guns and thrive with a biggerRead More

by Mark Saleski I already owned 1991’s Great Big Boy, and it’s a fine one. The album was allowed to go out of print for the usual reasons (which I won’t waste our time on), only to reappear in a likeably presented two-fer in 2007 with Peculiaroso from 1994, whichRead More

by Mark Saleski Normally, I’m not a particularly skeptical person. But when I see things in album credits like “hair,” “makeup,” and “dresses,” it’s tough to not tighten up a little. The good news is that Leonhart and Escoffery can bring it. She has a voice that manages to seemRead More

by Tom Johnson It was going to be hard for Bird to top his previous album, Andrew Bird And The Mysterious Production Of Eggs, a gorgeous, moody stunner. Equally balanced between upbeat rock numbers and quieter strings-backed pieces, Eggs had something for everyone, with smart, subtly-humorous lyrics strewn throughout toRead More