Vaughan dishes a second helping of obscure blues covers with Jimmie Vaughan Plays More Blues, Ballads & Favorites. Fast on the heels of the well-received Plays Blues, Ballads & Favorites from last year, everything great about that record is present on this one: Vaughan’s cropped, cool guitar picking, his smooth,Read More

by Tom Johnson This tiny little pop-rock band took something like 8 years off between albums and returned in 2004 with one of those albums that periodically appears on the musical horizon and feels like it’s saving your life. So enveloping was its warmth that it found itself heavily andRead More

The closest musical cousins to the whack jazz quintet Afuche that comes to mind are fellow Brooklyners Little Women and the Italian trio Treo: they share some of Little Women’s penchant for highly agitated thrash jazz and Neo’s total unity between harmony and rhythm. At least, that’s what I takeRead More

by Tom Johnson My favorite guitarist released, at long last, his second live album in 2005. How a guitarist this amazing and talented had gone so long between live releases is beyond me. Whereas his first live album, the intriguingly titled Live, captured Frisell at the peak of his noisyRead More

by Mark Saleski Ron Wood was still a member of The Faces when he put out I’ve Got My Own Album To Do. This live recording (and DVD) is from that tour, featuring Wood on guitar, Faces buddy Ian McLagan, and even an appearance by Rod Stewart. Future Rolling StonesRead More

Even though it’s really a dance record, I loved the old-school touches from Groove Collective — like an organ, vibes and a flute (memorably tooted on “Rashaanasong” from this self-titled release). It’s like Basie by way of Bootsy. When the cacophony crescendoes, there’s even the pure fusion expansiveness of turn-of-the-1970sRead More

by Tom Johnson This album wasn’t initially as well received as I think it should’ve been. It wasn’t the masterpiece I was hoping for, but it was a step up from the wildly uneven 13. With the exit of guitarist/fellow-mastermind Graham Coxon, Damon Albarn pretty much had complete artistic controlRead More

It’s got a cool looking cover, the names on that cover are all giants in the improvised music field, and the rapport is what you’d expect from free jazz pros like these. Those attributes in itself will probably get Planetary Unknown on some year-end lists and it’s already one atRead More

Pink Floyd’s 1967 debut ‘Piper at the Gates of Dawn’ is, quite simply, the greatest psychedelic album ever. Don’t bother writing, ‘Sgt. Pepper’ fans.

Guitarist-composer Chris Taylor, at once, brings in familiar fusion influences like Weather Report, Pat Metheny and the Zawinul Syndicate, even while adding these fearless flashes of next-gen electronics — samples, voices, weird keyboard programming, chants, scronks, blips, scratches. It’s jam-packed with aural pokes, the kind of album where Taylor, frontingRead More