Released 55 years ago this month, ‘Hollies Sing Hollies’ retains the spellbinding harmony and melodic smarts that brought the Hollies acclaim in the first place.

The few who heard him described Sterling Harrison’s music as “deep soul,” with a voice that conjured up aural images of Otis Redding and Wilson Pickett.

The Bee Gees were in a precarious position 55 years ago when their only original double album was first released in the UK. They turned in a masterpiece.

Released 55 years ago this month, the self-titled debut by Yes stalwart Steve Howe’s old band Tomorrow is one of the best of its psychedelic kind.

Jon Symon’s Warlock proved over three criminally under-appreciated early-’80s albums that Claude Debussy was right when he said “music is the space between notes.”

American listeners have probably never heard of the Slow Slushy Boys. Here are a couple of examples of why that needs to change.

For whatever reason, Pantera seemed to be embarrassed by their first four records. But there’s certainly nothing to be embarrassed about with ‘Power Metal.’

This self-titled LP from Gothenburg, Sweden-based Kyte was a solid debut by a very promising group. In fact, I called them the best new band of 2008.

Aviation Blondes’ debut LP was contemporary pop-rock music, and not the garage rock that you’d expect from the Get Hip label.

In retrospect, it’s not hard to see why this copycat-sounding self-titled debut is their only LP. ‘Gerard’ is perhaps the best Chicago album of the era.