Ben Folds Returned to Older Work on ‘Stems and Seeds,’ and Vastly Improved It
Ben Folds treated us to a much-needed “de-master” of ‘Way to Normal,’ 10 years ago this week.
Ben Folds treated us to a much-needed “de-master” of ‘Way to Normal,’ 10 years ago this week.
Issued 10 years ago this week, Andrew Bird’s ‘Noble Beast / Useless Creatures’ seemed like odd, demanding music when described. Only, it really wasn’t.
For 30 years now, I’ve been asking myself: “How would the ‘speechless’ know to ‘unite in a silent accord'”?
Aimee Mann angered some fans 10 years go by focusing on keyboard-equipped instruments for the electric guitar-free ‘@#%&*! Smilers.’ Not me.
‘Seventh Son of a Seventh Son,’ released 30 years ago this week, started a journey. Iron Maiden is now a part of me, and I am a part of what’s kept them around.
Largely uncategorizable, Mr. Mister’s ‘Pull’ would finally be released five years ago after decades of neglect. It was worth the wait.
Released on Oct. 28, 1985, ‘Afterburner’ risked becoming just another faceless piece of glossy MTV-era production – until Billy Gibbons stepped in.
If ‘Calling All Stations,’ released on September 1, 1997, didn’t have the “Genesis” legacy to live up to, would you have enjoyed it anyway?
Originally released on August 14, 1971, the Who’s ‘Who’s Next’ came to life again for me inside the confines of my Unproductivity Mobile Sound Lab.
Dire Straits’ ‘Communique,’ released on June 15, 1979, caught my ear much later – but it only confirmed Mark Knopfler’s genius.