Every one has had their individual say, made their choices, argued the point. Now, it’s time for consensus ruling from the bench: Here is The Official™ Top 10 for 2013 from Something Else! You May Also Like: How Black Sabbath’s Self-Titled Debut Invented a New Genre of Music How RobbenRead More

Hall and Oates’ transition from early folk performers into Rock and Roll Hall of Fame-bound mixers of R&B, rock and pop wasn’t without its bumps in the road. You May Also Like: No related posts.

Stevie Nicks remembers the moment that her initial musical partnership with Lindsey Buckingham as a duo hits its low point — and how an invite to Fleetwood Mac changed everything. You May Also Like: Stevie Nicks untangles the history of Fleetwood Mac’s ‘Silver Springs’: ‘An incredible seven minutes’ Fleetwood Mac’sRead More

That Fleetwood Mac’s “Big Love” has survived into another century’s playlists is its own kind of miracle, as far removed as author Lindsey Buckingham is from this late-1980s hit. You May Also Like: No related posts.

Largely self-taught, Led Zeppelin’s John Paul Jones learned most of his early craft on the bass from listening to albums from the Stax and Motown legacy. You May Also Like: Paul McCartney says the Beatles used Motown as a template – for what not to do Durand Jones – DurandRead More

Long after the Band’s initial split, Robbie Robertson and Levon Helm remained torn by disagreements over songwriting credits.

Prior to long-awaited reunion, Eric Clapton said he realized that “as much as they might want to get together again that it was really my call.”

Dark Side of the Moon has become, four decades after its release, not only Pink Floyd’s signature studio effort but one of the most important recordings in rock history. You May Also Like: Nick Mason goes inside Pink Floyd’s Wish You Were Here: ‘We were a bit burnt out’

Never mind that our readers’ top pick for 2013 was actually published on December 27, 2011. It’s part of a trend involving a certain mop-topped bunch. You May Also Like: How ‘Let It Be … Naked’ Led to Our New Understanding of the Beatles’ End

For Daniel Lanois, producing an album can typically be about “the documenting of time, and what’s going on in people’s lives — emotionally and otherwise.” And with Bob Dylan, that time was typically after sundown. You May Also Like: The Best Bob Dylan Songs From the 1980s