Steve Cropper has been playing “Midnight Hour,” “Green Onions” and “Soul Man” for decades. It’d be understandable if he became tired of them.

Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”

Songs like “Burn” show how well Toto operated creatively on ‘Toto XIV.’ So why does David Paich say it might be their last album?

There won’t be more ‘Endless River’-style explorations of additional unheard Pink Floyd songs for future albums. Nick Mason explains why.

Lindsey Buckingham says getting any Fleetwood Mac project off the ground involves a difficult decision-making process.

Something immediately clicked between Wilson Pickett and Steve Cropper. Their first writing session, in fact, produced an astounding three hit songs.

Deep Purple’s comings and goings have long provided gossip fodder, but Ian Gillan says there’s often been a very simple explanation for all of it.

For Daniel Lanois, an intimate preview revealed unexpected depths in Bob Dylan’s new Frank Sinatra-focused album ‘Shadows in the Night.’

John Oates struggles to select a single Hall and Oates moment, finally settling on three from a career marked as much by diversity as longevity.

Decades later, the Monkees’ Micky Dolenz says “I’m always amazed that people, even real fans of the show, missed that dynamic.”