Ian Dury – ‘Hit Me: The Best of Ian Dury’ (2020)
‘Hit Me: The Best of Ian Dury’ is pure nostalgia, but curated in such a way that you get a real insight into his musical persona.
‘Hit Me: The Best of Ian Dury’ is pure nostalgia, but curated in such a way that you get a real insight into his musical persona.
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
‘Birdsong’ is a respectful and classy homage to Charlie Parker and the music which has influenced Champian Fulton since she was small.
Dinosaur’s ‘To the Earth’ creates a range of moods and themes, while also stepping back to past influences and forward into new territory.
A new venture from Chris Montague, Warmer Than Blood brings the composer and guitarist together pianist Kit Downes and electric-bassist Ruth Goller.
There is a dreamlike quality to the sound which Erodoto Project creates on the forthcoming ‘Mythos – Metamorphosis,’ and a sensuality.
The Hot Club of Philadelphia’s ‘Gypsy-Americana’ is joyful, very listenable and well worth the five-year wait for fans.
‘Witch ‘n’ Monk’ transcends definition, cheerfully sitting on the outer reaches of contemporary music, jazz-punk and experimental music.
‘Another Kind of Soul’, Tony Kofi’s terrific tribute to Julian ‘Cannonball’ Adderley, has a wonderful ambience – and a slight poignancy.
A mix of contoured creations, Julie Campiche’s ‘Onkalo’ is one of those albums which improves listen by listen.