Barista, the recording name of Turkish musician Bahadir Han Eryilmaz, deconstructs the barriers between blues, classic and prog rock.

Patrick Ames’ ‘The Virtualistics’ encompasses the good and bad of the pandemic, but the overriding message is hope.

With ‘Love Life Choices,’ Rebecca Angel’s sense of self and individuality shine like a veteran.

Beverley Beirne’s new album is far different than the fun-filled ‘Jazz Just Wants to Have Fun,’ showing a completely different side and strength.

To put Sluka in any category is difficult, and why would you try?

A Disaster Relief single with Thornetta Davis brings together funk, blues and soul – and a good dose of relevant social commentary.

This unapologetically delivered eponymous debut from Maud was composed from deeply personal experiences, but could be inspirational to anyone.

Described as one of the most original voices of his generation, Daniel Bennett is only predictable in that his music will always be worth listening to.

Bob Salmieri Bastarduna Quintet’s ‘And Mama Was a Belly Dancer’ is appealing and incisive, tapping into connections felt by many people with many cultures.

Metroluxe’s “Get Some” is the kind of thing that creates hope and a certainty that music will come back – live, kicking, and so so good.