A melding of klezmer, jazz and not a little bit of funk, Big Brooklyn’s ‘Purpose’ is a hugely engaging debut – and the first, hopefully, of many more to come.

Uri Gurvich’s ‘Kinship’ is a celebration of differences, both cultural and musical, and yet it retains a sense of the great warmth of harmony.

‘Invisible Threads’ offered me the first chance to listen to saxophonist and clarinet player John Surman in a long time – and all I can say is, “wow.”

Like Wild Card itself, Clement Regert’s ‘Life Stories’ encompasses an exciting range of styles – from hard-bop and Afro-Latin, to New Orleans and raw funk grooves.

Delfeayo Marsalis’s first-ever live album, ‘Kalamazoo,’ proves he’s both an alchemist and entertainer.

Initially, Cath Roberts only intended to expand Sloth Racket to 10 members for a jazz festival appearance, then Favourite Animals became a new band.

Fiona Ross’ new album builds on her previous material, while demonstrating the maturation of talent this musical hand grenade has let loose.

Recorded jazz music has its place. At live performances, however, you will never repeat the exact moment again. They can alter your perceptions, too.

Dead Neanderthals often play with collaborators, but ‘The Depths’ features just two musicians – and it is lovely.

There’s a sense of more development and intrigue to come as Gareth Lockrane’s ‘Fistfight at the Barndance’ mixes musical atmospheres and essences.