It was easy to find jazz records that deserved a year-end salute; maybe ‘too’ easy. The heavy lifting came from figuring out which stood above the rest for this Best of 2017 list.

Even in my jazz-centric world, I can come upon enough standout non-jazz records to put together a decent-sized Best of 2017 list.

Released 10 years ago this week, Left Lane Cruiser’s ‘Bring Yo’ Ass to the Table’ lunges straight for your soul and puts a stranglehold on it.

‘Err Guitar’ by Elliott Sharp, Mary Halvorson and Marc Ribot is three masters of the outside guitar pushing each other to go even further out, making this a notably delirious entry in the catalogs of all three.

Stephen Stills finds the fountain of youth by going back to one of his original muses, Judy Collins, who co-headlines on ‘Everybody Knows.’

‘Organ Monk Blue’ sustains Gregory Lewis’ intriguing concept of a Thelonious Monk on the organ. It didn’t hurt that this time Lewis revitalizes the blues along the way, too.

As a protege of Connie Crothers, Jeff Pearring learned the importance of finding his own voice. ‘True Story’ is what happens when that inner voice comes pouring out.

Richard Lloyd Giddens Jr.’s ‘Mimosas’ brings in disparate colleagues and disparate composing pens, and molds them into a united musical statement that one can sense portrays the complexion of its singular leader.

Albert Ayler’s violent alchemy of Africa and Europe imbues ‘Copenhagen Live 1964’ with historical importance because more than fifty years hence, these ideas put into practice sound as radical today as they did back then.

Full of vigor and moxie from start to finish, ‘Sing Me Some Cry’ harnesses the savvy of its participants, but that vast potential is reached only because Eric Revis has the insight to get so much out of them, and they in turn get the most out of Revis’ compositions.