Calling this band “Rogério Boccato Quarteto” instead of the “Rogério Boccato Quartet” serves notice that this is Brazilian jazz music and ‘No Old Rain’ is a very good celebration of that music.

The ample leftovers from Walter Becker’s ’11 Tracks of Whack’ sessions continue to be pulled out of the frig, warmed in the microwave and set on the table for feasting.

The way a chamber string trio is being used by the Brandon Seabrook Trio for ‘Convulsionaries’ is bonafide wack. It’s akin to G.G. Allin hosting ‘Masterpiece Theater.’

Kind Folk is a new jazz supergroup that lives up to the promise its first time out, with ‘Why Not.’

‘Omnisphere’ combines the nimble gumption of Medeski, Martin & Wood with theconvention-busting modern creative twenty-person band Alarm Will Sound in a gutsy collaboration.

Henry Kaiser has long found spiritual fulfillment playing music informed by the ancient songs of Korean Shamanism. This time he finds further fulfillment in the comradery of musicians who like him understand the power of the mudang.

The fourth Frequency Response release from Tom Abbs could well be his last for a long time; the man’s got things to do. If that’s the case, it’s all the more reason to savor ‘Hawthorne.’

Like the Real Thing, you might attempt to resist the 1957 Tail-Fin Fiasco’s “39 Grams” but let’s face it, you can’t.

Get used to seeing that adjective ‘funky’ applied to the Jeff Lorber Fusion’s latest album ‘Impact;’ it applies all over this record and that’s just the way it was intended.

In unveiling his Superette band, Chris Lightcap shows that he invests a fair amount of serious artistry into his work even when he’s making casually fun music.