Chad Taylor’s first solo album shows you stuff you won’t hear on all the numerous, critically acclaimed projects he became involved with.

The freewheeling ‘Lebroba’ is a solid entry in Andrew Cyrille’s lengthy catalog, and could be considered a solid entry in the catalogs of Wadada Leo Smith and Bill Frisell, too.

This completes a year-long celebration of Satoko Fujii’s 60th birthday with the same inventiveness, grace and genius shown throughout the entire series.

Casey Golden still has a knack for subtly subverting jazz from within by bringing in indie-rock sensibilities.

A quarter century of musical association between Matthew Shipp and Mat Maneri continues with ‘Conference of the Mat/ts.’

Makaya McCraven’s ‘Universal Beings’ is a handmade mishmash of sounds that isn’t alien, but is never completely familiar, either.

Right on the heels of “This Is My Building” comes another candidate for inclusion in Walter Becker’s ‘Circus Money’ that somehow didn’t survive the primaries.

The ample leftovers from Walter Becker’s ‘Circus Money’ sessions continue to be pulled out of the fridge, warmed in the microwave and set on the table for feasting.

Wendy Eisenberg is elbowing her way to the vanguard of guitarists who radically rethink the guitar as Machinic Unconscious Trio proves that she can shine in the company of New York’s best.

As an old school guy who thrives in the outer reaches of jazz, Andrew Lamb leads another formidable trio date ‘Casbah of Love’ with a lot of both head and heart.