Cyril Neville’s gritty, honest and culturally rich ‘Brand New Blues’ arrived 10 years ago this month.

Sam Weinberg joins with refugees from Little Women to form the new trio Bloor, and it’s wild, acerbic and even a bit mathematical.

Bill Frisell and Thomas Morgan play with the intent to extract every honeyed drop from these rich melodies, a hallmark of both artists.

It doesn’t matter how antiquated lap steel and drums might seem, when Ross Hammond and Jon Bafus are brought to the equation, captivating things happen.

Underrated guitar god Oz Noy celebrates the boogaloo style of Latin rhythms applied to soul, jazz and rock ‘n’ roll during the ’60s with ‘Booga Looga Loo.’

Once again, Ivo Perelman follows a path that the listener has never gone down before – or the musicians, for that matter.

Stuffed full of pedantic theories and approaches, ‘Music By Gestalt’ comes out a lot more accessible than all this seems by its description.

It’s no exaggeration to state that Boo Boo Davis is one of the last of the authentic blues men.

So maybe no one asked for a reunion of Todd Rundgren’s Utopia? It’s a question that should have been asked. And ‘Live at the Chicago Theatre’ is the answer.

Jazz is the music of pure emotion, and it’s the vehicle by which Michael Bisio, Kirk Knuffke amd Fred Lonberg-Holm sorted out their feelings about a tragedy.