Articles by: S. Victor Aaron

Vinyl

Reut Regev’s R*Time – ‘Keep Winning’ (2019)

Avant garde jazz could use more joy and wit, which is Reut Regev R*Time’s secret weapon for making you want to listen.

Walter Becker, "Don't Let Us Go Down" (1991): Steely Dan Sunday

Walter Becker, “Don’t Let Us Go Down” (1991): Steely Dan Sunday

Walter Becker, the same guy who often came up with some cold putdown lines, wrote a dozen stanzas here full of aching poetry.

Vinyl

Walter Becker, “War Baby” (ca. 1994): One Track Mind

Walter Becker’s unfinished “War Baby” is just one of several examples where he used metaphor to describe a relationship as a game of contention.

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Pat Metheny, “You Are” from ‘From This Place’ (2019): One Track Mind

Pat Metheny’s “You Are” is the scintillating second advance single from his upcoming album ‘From The Place.’

'Ain't Gonna Be Your Dog' Was the Howlin' Wolf Deep Dive We Didn't Know We Needed

‘Ain’t Gonna Be Your Dog’ Was the Howlin’ Wolf Deep Dive We Didn’t Know We Needed

Released 25 years ago, ‘Ain’t Gonna Be Your Dog’ became a perfect companion piece to the huge Howlin’ Wolf Chess box – if you can find it.

Vinyl

Dave Stryker – ‘Eight Track Christmas’ (2019)

Dave Stryker and his crack, soul-jazz combo offer their fourth ‘Eight Track’-branded album, where the only difference is the festive season theme.

Ivo Perelman and Matthew Shipp - 'Live In Nuremberg' (2019)

Ivo Perelman and Matthew Shipp – ‘Live In Nuremberg’ (2019)

Ivo Perelman and Matthew Shipp continue to relentlessly push the envelope after all these years.

Vinyl

Sonar with David Torn – ‘Tranceportation (Volume 1)’ (2019)

The marriage made in heaven between Swiss minimalist specialists Sonar and master texturalist David Torn continues with ‘Tranceportation (Volume 1).’

Vinyl

Byron Asher’s Skrontch Music, “Blues Obligato” (2019): Something Else! video premiere

Byron Asher’s “Blues Obligato” is kind of like Dixieland informed by a hundred years of music development.

Vinyl

Tom Tallitsch – ‘Ten’ (2019)

Tom Tallitsch’s ‘Ten’ sometimes posits itself closer to rock than jazz, but it retains all the improvisation and musicianship associated with the latter.