OM have been at the forefront of improvised music for almost 50 years, and ‘It’s About Time’ shows they’re still doing it as well as ever.

Black Country Communion’s self-titled debut arrived 10 years ago today as a thunderous reminder of the golden age of Deep Purple, Black Sabbath and AC/DC.

Singing and playing like a boss is an under-appreciated talent, and Wendy Eisenberg shows she can handle this demanding dual chore with “Centreville.”

Merzbow, Mats Gustafsson and Balazs Pandi know how to manipulate calmness to make it as impactful as the ceaseless noise that they also create.

Supertramp’s elfin, silvery “Sister Moonshine” arrived 45 years ago today as a kind of dry run for platinum successes to come.

A restless, progressive artist through the last 50 years, Terje Rypdal shows he can still pack large ideas into a small band within the tighter confines of a studio.

Butcher Brown’s fusion / R&B / funk / punk alchemy doesn’t brow beat you into submission. Instead, seductive grooves and confident musicianship do that job.

No matter how free or straight it’s played, ‘The Unidentifiable’ is always eloquent, audacious and artful. The Matthew Shipp Trio continues to set the standard for the modern jazz trio of our time.

Released 10 years ago today, ‘Bachman and Turner’ was a Bachman-Turner Overdrive comeback in every way except the album title.

Takuya Kuroda already located the sweet spot where funk, jazz, hip-hop and R&B intersect. Now he’s amping up the studio creativity with ‘Fly Moon Die Soon.’