For their newest album ‘Asteroid Ekosystem’, the adventurous Alister Spence Trio shook things up by inviting a guitarist — fellow Australian Ed Kuepper — to join them for the recording sessions. In Kuepper, Spence brought a real provocateur into the party.

The two long pieces of ‘inSOMNIA’ could be regarded as jazz symphonies, but Tim Berne applies his small-ensemble principles to them and we discover just how utterly scalable his ideas truly are.

This is one of those massive losses in both the jazz and piano worlds. It’s simply impossible to even summarize Chick Corea’s impact.

Ivo Perelman and Nate Wooley convened for a sessions that produced ten, distinct improvisations called ‘Polarity.’ With only one person with whom to interact, each regard this tete-a-tete as a whole different ball game, and they go for it.

Tony Malaby’s ‘Turnpike Diaries Volume 1’ features these seasoned masters stretching out under an expressway over two long jams as few can do in such a coordinated way, each able to sense what the song is headed and react with infallible instincts.

Pat Metheny’s “Road to the Sun Pt. 2” stands as a testament to the beauty of classical guitars put in the service of a sumptuous arrangement.

‘Thollem’s Astral Traveling Sessions with John Dieterich’ tingles your auditory senses because this is breaking new ground and they’re defining the whole dobro/synth genre as they go along. There might not be two musicians better equipped to be the first at doing that.

It’s not just a preponderance of fresh ideas that makes Russ Lossing’s album ‘Metamorphism’ work so well; they are ideas that fit right with the people chosen to carry them out.

Michael Gregory Jackson’s ‘Frequency Equilibrium Koan’ is a communion of loft jazz musicians who weren’t just among the best of their time, but of *all* time.

The piano/vibraphones duo isn’t exactly a new concept, but Satoko Fujii and Taiko Saito take that concept to places it’s never been before. The exotic places they visit make ‘Beyond’ a trip well worth taking.