by S. Victor Aaron Most bluesmen sing the blues with sadness, resignation or even celebration. Not Otis Taylor. He’s got the blues and he’s pissed about it. You May Also Like: No related posts.

By S. Victor Aaron When Nick’s article on that badass Idris Muhammed started name-checking all the jazz heavyweights that this great dummer had been associated with, I then realized how many records with his imprint that are among some of my all time favorites. It would easy to launch intoRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus

We already did piano men, but they were all by underrecognized artists. Now, it’s time to look at albums by the big names that didn’t get the kudos of their better known companions, but should have: You May Also Like: Bill Evans – Time Remembered, The Life & Music ofRead More

by S. Victor Aaron Son of little-known folk singer Leon Bibb, Eric Bibb grew up listening and meeting musicians like Pete Seeger and Bob Dylan — and his uncle, pianist and composer John Lewis of the Modern Jazz Quartet. Eric has become more of a name in folk and bluesRead More

On June 30, 2001, tenor saxophonist great Joe Henderson passed away. Among one of the giants in a crowded field of post-bop saxmen who sprang up in the fifities and sixties, Henderson nonetheless never got his due until nearly a quarter century after his superb 1963 debut Page One. YouRead More

by S. Victor Aaron Some favorite jazz albums of mine that don’t come up at the top of anyone else’s top records list, but I thought were outstanding despite the lack of publicity about them. … You May Also Like: Jazz’s Best Last Records by John Coltrane, Eric Dolphy +Read More

by S. Victor Aaron Here, we take a look at the mighty Hammond B-3. To make it a bit challenging, no records by the organ jazz godfather Jimmy Smith will be on the list. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021) Brian Charette – OnceRead More

by S. Victor Aaron Soul-jazz was never a major genre, even in its seventies heyday, but the boys from Houston who called themselves The Crusaders were doing it better than just about anyone else then…and now. You May Also Like: No related posts.

by S. Victor Aaron Piano records are tough to pick, because there’s always the temptation to include records by Keith Jarrett, Chick Corea and Bill Evans: 1) The Michael Wolff Trio; Jumpstart (1995)Before this guy was twenty, he was already good enough to be playing in Julian “Cannonball” Adderley’s band.Read More