With the outstanding ‘Flyin’ the Koop,’ Stanton Moore leaves little ground uncovered in his search for the rare groove.

by S. Victor Aaron I was trying to get mentally prepared to actually describe a Charlie Hunter record when on a whim I decided to cue up GB’s The Other Side Of Abbey Road. That got me to thinking about Nick’s piece on the best Beatle remakes (hey Nick, IRead More

by S. Victor Aaron So you’re looking at the album cover just to the left and guessing that it’s a vintage children’s record intended to cash in on the hit mid-sixties series starring Adam West and you would be right. But there was no such band as “The Sensational GuitarsRead More

by S. Victor Aaron The critics all declare Exile On Main Street to be The Rolling Stones’ magnum opus. Yeah, it’s a great album alright but for my money, I’ll take the one right before it, Sticky Fingers, anyday. From the sass of “Brown Sugar” to the gentle country ofRead More

by S. Victor Aaron Most bluesmen sing the blues with sadness, resignation or even celebration. Not Otis Taylor. He’s got the blues and he’s pissed about it. You May Also Like: Otis Taylor, “Cold at Midnight” from Hey Joe Opus / Red Meat (2015): One Track Mind

By S. Victor Aaron When Nick’s article on that badass Idris Muhammed started name-checking all the jazz heavyweights that this great dummer had been associated with, I then realized how many records with his imprint that are among some of my all time favorites. It would easy to launch intoRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: Pat Martino + Jim Ridl, “The Phineas Trane” from Nexus (2015) How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin – Black Light (2015)