Next to Sly and the Family Stone and James Brown there might not be another act as influential to funk music than P-Funk, the shorthand name for George Clinton’s twin ensembles Parliament (horns) and Funkadelic (no horns). In fact, they were cited in my last OTM as an influence toRead More

by S. Victor Aaron Since the mid-sixties, jazz musicians have sought to combine electronic instruments with jazz to create something new and fresh sounding. The most obvious result of this mix is called fusion, but others have managed to do it taking different approaches that uses these instruments to actuallyRead More

photo: Genevieve Ruocco Of all the rock or fusion guitarists out there, there’s none out there who possesses the most pleasing tone, amazing technique and exceptional phrasing all wrapped up into one than the Brit Allan Holdsworth. He’s is a guitarist’s guitarist, having influenced everyone from Eddie Van Halen toRead More

by S. Victor Aaron Guilty pleasures. Admit it, we’ve all got ’em when it comes to music. For some time, now, I’ve been meaning to put a list together for everyone’s amusement. I was reminded of that half-serious promise I made to myself when I came across Rolling Stone Magazine’sRead More

Fewer bands in rock have been more unjustly maligned than Chicago. Now, I’m no fan of the David Foster years, but being responsible for some of the shlockiest pop of that era doesn’t diminish the more innovative and ambitious output of the seventies, especially those first five albums. You MayRead More

The lead-off track from Anders Osbourne’s Grammy-nominated ‘Living Room’ is a rootsy jam and a helluva good time.

For well over a decade, Medeski, Martin and Wood (henceforth referred to as “MMW”) has been to acid jazz what Crosby, Stills & Nash is to folk-rock. A group at the top of the heap consisting of three extraordinary talents, and whose main releases are richly supplemented with temporary configurationRead More

A little more than a month ago I covered a self-released album by a Vancouver, British Columbia-based jazz-pop vocalist by the name of Heidi McCurdy. Heidi’s music is a prime example of the great singing and composing talent out there still unsigned and undiscovered by a record company. Fickle MindRead More

by Pico In the last three or four years, Georgia native Lizz Wright has created a stir in the same folk-jazz circles that Cassandra Wilson, Nina Simone and Oleta Adams have made their names in, but with her 2005 release Dreaming Wide Awake, she moved further into Sarah McLachlan territory.Read More

Turns out, chaff from Umphrey’s McGee still makes for a tasty loaf of bread.