Getting it right instead of getting it sooner paid off handsomely for Trevor Dunn and his Trio-Convulsant on ‘Séances.’

The post-rock gem ‘Everywhen We Go’ by Mike Baggetta, mike watt and Jim Keltner is stimulating because everyone brings their considerable talents to bear on these songs.

He departed much too early, but fortunately Donny Hathaway left us with several memorable songs – including this one.

Even now, no one else in jazz compares to Moppa Elliot’s returning Mostly Other People Do the Killing. Audacity with the chops to make it work remains the basic recipe.

Dan Weiss’ innate understanding of tradition picked up from key influences made it possible to move forward in the salient, discriminating way that he did for ‘Dedication.’

Some might quibble over whether this is contemporary, smooth or crossover jazz. It’s actually a hybrid from Everette Harp, Jeff Lorber and Paul Jackson Jr.

Ivo Perelman and Joe Morris are hardly the first saxophone-guitar duo, but they take that combination to its highest possible level with ‘Elliptic Time.’

On ‘Seriana Promethea,’ David Murray, Brad Jones and Hamid Drake swagger their way through seven Murray originals and one really cool cover with relaxed confidence.

‘Unfamiliar Ceilings’ by violinist Lina Tullgren and koto player Alec Toku Whiting is an excursion into unfamiliar territory alright, but it’s territory where the ceilings look open like blue skies.

Joe McPhee’s got earnest humanity and spirituality coming out of his tenor sax by the buckets, qualities that for certain attracted him to Ivo Perelman.