by S. Victor Aaron John Scofield isn’t regarded as the top two or three jazz guitarists of the last couple of decades just because he’s such a great guitar player. The thing that sets him apart from almost all the others is his ability to play a different style ofRead More
by S. Victor Aaron Late last year I covered a new release by David Weiss’ New Jazz Composers Octet, The Turning Gate. The names found in this band aren’t household names, but the high level of musicianship and composition writing savvy by every member of this collective nevertheless makes thisRead More
by Pico We’ve been long overdue for another “Quickies,” as there’s been way more new releases to talk abput than there’s time to talk (as usual). Nonetheless, the show must go on and the word has to get out. This variation has a certain theme. Well, sort of. We startRead More
Will Sellenraad is a member of a newer generation of jazz musicians who have that ability to fold in elements of rock, soul and folk into jazz without diluting the jazz component at all. His guitar playing style has a full, rounded tone that can best be described as unaffected,Read More
Like Paul or Ringo, Roger Hodgson will forever be associated with his former band no matter much good music he’s made since he left the group. Granted, Hodgson never quite generated any more note-perfect pop standards such as “Give A Little Bit” or “The Logical Song” from his Supertramp days,Read More
by S. Victor Aaron Dave Fox teaches piano courses at Greensboro College in North Carolina, but the stuff he’s puttin’ down with his combo The Dave Fox Group couldn’t be any more opposite of what you’d find in a classroom setting. It simply has too much panache for formal academicRead More
Finally, a musician with a one-letter last name I can actually embrace. Harvie S was the rock-solid bassist who firmly anchored Linda Presgrave’s completely enjoyable Inspiration CD, released last month. It’s only the latest notch in a long career that’s found S paired with such legends as John Scofield, StanRead More
by S. Victor Aaron I remember once or twice seeing the seventies folk-rock band America on one or two lists of most despised bands, and that always puzzled me. So what if the music is soft, my way of thinking goes, if the vocals are rich, the melodies robust andRead More
by Pico As an acclaimed maestro on a variety of stringed instruments (violin, mandolin, guitar) Mike Marshall can call upon just about anyone in the field of progressive bluegrass to accompany him on an album. For his fresh-out-of-the-oven album Mike Marshall’s Big Trio, he sticks with acoustic guitar and enlistsRead More
Dr. Lonnie Smith enjoyed a Joe Henderson-styled late-career resurgence during the ’00s, capped by ‘Rise Up!’
