by S. Victor Aaron Steve Smith is a man with a common name and an uncommon ability to beat the skins. Looking back at his entire career, that 1978-85 stint with the superstar arena rock group Journey during its classic period looks like an aberration to Smith, who has madeRead More

by Pico It’s been a long time since I rock and rolled… -Led Zeppelin What can I say, I’ve let a lot of release dates on the mainstream side go by without any mention. And so, it’s catch-up time. Three major acts, plus an act with a major cause. NoRead More

by S. Victor Aaron After forty years in the business, ECM remains one of the busiest jazz labels around, and if anything, they’ve been picking up steam lately. That might be because they continue to bring on exciting new artists while continuing their amazing ability to retain so many ofRead More

by Pico Last October 20, the up-and-coming violin wizard from Copenhagen Mads Tolling put forth his second CD The Playmaker, a celebration of the kindrid spirit shared by musicians and athletes. Yes, that’s right, the connection between people who make music and people who make plays. As Tolling correctly pointsRead More

One tendency I’ve found among musicians is that worldly artists tend to be pretty good at making worldly music. Vocalist and songstress Somi certainly qualifies. Born in middle-American Illinois but to immigrants from the East African nations of Rwanda and Uganda, Somi spent part of her childhood in Zambia. SheRead More

by Pico When musicians get together for jam sessions at a restaurant or a music house after the marquee gigs are done, that’s called a “late set.” It’s been a part of the NYC jazz scene at least since guys like Charlie Christian, Thelonius Monk, Kenny “Klook” Clarke, Charlie ParkerRead More

by Pico Last year I devoted precious little space to praise a then-new album by bassist-composer Ben Allison called Little Things Run The World. The brief praise didn’t really do the record justice, as Allison is a certain kind of composer and bandleader who can build rib-sticking compositions and findRead More

by S. Victor Aaron The Two-fer isn’t a double celebration of a single artist, but rather of a single instrument: the trombone. I’ve always liked that warm, brassy sound with its slippery pitch variations that gives it a colorful, almost-human character. An instrument that has been there in jazz’s earliestRead More

So today we open up a new series “Deep Cuts,” where your friendly music guides here at Something Else pull out and call attention to a more obscure track taken from familiar, sometimes classic, records. If you’re like us, you’re more of an “album” guy than a “singles” guy andRead More

photo: Chris Barber The history of jazz is a history of a continuum of leaders where the next generation of shining stars emerge when the leaders of the prior generation are still in their prime period. The torch of the premier trumpet player passed on from Louis Armstrong to DizzyRead More