by S. Victor Aaron As I write this, two very talented bands from Italy specializing in the jazz of the whack variety are traversing the fruited plains looking to collect fans from the USA. The trio Neo and the quartet Tribraco are criss-crossing the country from August 23 to OctoberRead More

Note: This is a slightly abridged version of the inaugural article in the long-running “Whack Jazz” series, first appearing on July 11, 2006 on a forerunner site to the Something Else! webzine. Machine Gun remains to me the gold standard for all thrash-jazz records, one that all other such albumsRead More

by S. Victor Aaron There’s been a quiet trend of the last fifteen or so years that seems to be picking up steam lately. That is, to approach jazz from the dreamy and sometimes rough textures of alt rock and electronics. There’s even a name for this: post-rock. Tortoise wasRead More

Mother Nature just staged a terrorist act on our ass! — Warren Smith, “Dyes And Lyes” About five years ago, woodwinds and flute specialist Andrew Lamb convened a recording session with his longtime musical partner Warren Smith (drums, percussion) and the bass/cello master Tom Abbs for some free form musicalRead More

by Pico It used to be, all good jazz originated out of New Orleans, then Chicago, then New York. And a lot of it still does these days. Eventually, Western Europe became the place of origin for a lot of great jazz for several generations, now, and even Eastern EuropeRead More

Before there was Sonic Youth, before there was Radiohead, Material, The Flaming Lips or the Animal Collective, there was Curlew. Founded by saxophonist/composer George Cartwright in 1979, Curlew soon became an incubator for just about every important name in the the New York downtown experimental music scene that thrived inRead More

“All eyes on the judges, who tabulate the score…” So where are we on this whole American Idol saga, anyway? I heard that Simon Cowell and Ellen Degeneres had vacated their judges’ chairs (this was the first I’ve heard of Degeneres even being on the show). And Kara DioGuardi wasRead More

by Pico The American Afrobeat movement hadn’t bubbled up from the underground all that long ago, but maybe it isn’t too soon to look back at what have been the key releases from this revival. At least that’s what Ropeadope Records thinks in re-releasing this week Who Is This AmericaRead More

by Pico Like the proverbial fine wine, James Moody only gets mellower and better with age. A seasoned saxophone and flute veteran who was in Dizzy Gillespie’s original big band of the later 1940’s and most famously the author of everyone’s favorite vocalese jazz tune “Moody’s Mood For Love,” (withRead More

by S. Victor Aaron Like many of the greatest American musicians, Miles Davis has had a comeback—he’s had four or five of them, actually—but only one where he came back from not playing at all. It was also his least successful one in the short run. The 1975-1981 retirement wasRead More