by S. Victor Aaron Bassist Luther Hughes leads a tenor sax/alto sax quintet in its forth recording paying tribute to the spirit of Cannonball Adderley and John Coltrane. Specifically, The Cannonball Adderley Quintet in Chicago album recorded with Miles Davis’ band sans Miles himself just six months before they allRead More

by S. Victor Aaron Gerald Cleaver, along with Nasheet Waits, seems to always be the drummer on some really outstanding jazz records of late. Michael Formanek’s The Rub And Spare Change required virtuosic musicians playing at peak level to make it work, and Cleaver did his part and then some,Read More

by S. Victor Aaron Missoula, Montana’s own Nathaniel Smith has had a career as a jazz drummer and composer that took him from a mountain valley in the Rockies eastward to Appleton, Wisconsin’s Lawrence University (where Smith got to perform with the visiting Dave Holland and Maria Schneider), briefly westRead More

In 2008, then-21 year old tenor saxophonist Noah Preminger issued his debut CD Dry Bridge Road, one that made much of an impression. Fresh out of the New England Conservatory, Dry Bridge Road racked up recognition from publications like Jazztimes, Jazz Review and the Village Voice, where it won theRead More

photo: Tom Lau S. Victor Aaron In preparing to assess Jane Ira Bloom’s brand new CD Wingwalker, I pulled out the prior one, the excellent Mental Weather from 2008. The striking comparison between the two became obvious before I even pulled the CD from the sleeve; I quickly noticed thatRead More

by S. Victor Aaron The steady stream of highly talented young jazz musicians continue to flow from Israel to New York. We’ve gone from Avishai Cohen to, uh, Avishai Cohen and everyone in between, like Amos Hoffman and Oz Noy. Earlier this week, we officially welcomed another Israeli musician intoRead More

by S. Victor Aaron I know no one will believe it, but a couple of weeks ago I heard Muddy Waters’ 1948 classic recording of his first hit “I Can’t Be Satisfied” for the first time in a while and decided then and there that it needed the One TrackRead More

photo: Gordon Sapsed by S. Victor Aaron Just before kickoff for the Fiesta Bowl played the other day between the Oklahoma Sooners and the Connecticut Huskies, the sad story was told about the starting UConn cornerback who was senselessly stabbed to death during the prior football season. The night beforeRead More

by S. Victor Aaron The beginning of the year is usually a quiet period for music releases. Coming on the heels of the frantic holiday shopping season and the various “best of (prior) year lists” that assist in yuletide purchasing decisions, you’d think there wouldn’t be anything worthwhile coming outRead More

The late Don Grolnick made only one fusion record, but it was a real beaut. by S. Victor Aaron Ahhh, the 80s. Big hair, big synthesizer sounds and programmed beats. That didn’t just happen with pop and rock, some of these trends seeped into contemporary jazz, too. This was theRead More