Articles by: S. Victor Aaron

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Various Artists – Disney Jazz Volume 1: Everybody Wants To Be A Cat (2011)

  by S. Victor Aaron For a lot of us, our first exposure to jazz was those Charlie Brown TV specials featuring the piano trio music of Vince Guaraldi. Then again, some Disney films like 101 Dalmations, Lady And The Tramp and especially The Aristocats contained jazz or jazz-y tunes.Read More

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Joe Morello (1928-2011): An Appreciation

by S. Victor Aaron Even early on, from the time I first began to explore jazz, I sensed there was something different about the Dave Brebeck Quartet’s drummer, Joe Morello. When I began to spin my Dad’s scratchy old Brubeck records, I’ll never forget hearing weird time signatures for the firstRead More

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The Dead Kenny Gs – Operation Long Leash (2011)

Photo by Dino Perrucci by S. Victor Aaron This isn’t the type of site that covers Kenny G records, but it’s not because we’re G haters. It’s just that there’s music out there we prefer to write about. Maybe 99.8 or 99.9% of the music out there falls in thatRead More

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The Yellowjackets – Timeline (2011)

Photo by Raj Naik by S. Victor Aaron Tomorrow, a jazz band that’s been around for 30 years will release their 21st album. Founded in the aftermath of Robben Ford’s The Inside Story (1979), Ford’s backing band has been making records since their self-titled album from 1981. Through several line-up changes,Read More

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Ernest Dawkins' New Horizon Ensemble – The Prairie Prophet (2011)

Photo by John Broughton by S. Victor Aaron Like William Parker, Anthony Braxton and Rahsaan Roland Kirk, Ernest Dawkins is an avant garde jazz guy who doesn’t give a damn if the music he plays is dissonant or tuneful, it’s all about if it sounds right, period. By extension, the saxophonist’sRead More

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A "Yo Miles!" (Henry Kaiser & Wadada Leo Smith) Two-fer! – Shinjuku and Lightning (2010)

by S. Victor Aaron Since very early on we’ve eagerly pounced on records that re-image that dense, impenetrable period of Miles Davis between about 1969 and 1975 when he first defined fusion jazz and then kept redefining it again and again. This is music that doesn’t come easily to mostRead More

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Bobby Selvaggio – Grass Roots Movement (2011)

Photo from www.BobbySelvaggio.com by S. Victor Aaron For a serious post-bop performer to take a leap into Grooveland, it can often be a risky bet. Will they be able to keep their artistic integrity? Will they even care? A couple of years ago, alto saxophonist Bobby Selvaggio made his secondRead More

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From The Stacks 2011, Vol. 2: Toots Thielemans, Benjamin Drazen, Brian Landrus, others

Photo from Jos Knaepen/ amsterdamjazzagency.com by S. Victor Aaron When I first started the Stacks series last year, I had two formatting rules about it: each artist was to be allotted one paragraph each and there must be at least six albums examined. I’m bending both rules this time, asRead More

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Billy Joel, “Prelude/Angry Young Man” (1976): One Track Mind

Here was Billy Joel: talented, confident and getting ready to bust out into superstardom.

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Fred Hersch – Alone At The Vanguard (2011)

Photo by Steve J. Sherman by S. Victor Aaron When reviewing Vijay Iyer’s sublime piano-only disc Solo last year, I tossed out my personal maxim that “when a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy.” Well,Read More