Whenever I describe a jazz artist as unique and eccentric, using odd meters and irregular note progressions, that means I’m describing a whack jazz artist about 99% of the time. Reedman Daniel Bennett on the hand belongs in that one percent. You May Also Like: Daniel Bennett Group – WeRead More

The allure of Danish-Swedish quartet David’s Angels comes from their uneasy truce among chanteuse jazz, avant-Prog and indie rock, and the tension that creates You May Also Like: Burnt Sugar the Arkestra Chamber – ‘Angels Over Oakanda’ (2021) Bad Company – ‘Desolation Angels’ (1979; 2020 reissue)

The mid-1990s were a great time to be a Steely Dan fan. We were first treated to Donald Fagen’s long-awaited follow-up to The Nightfly, and while that album fell well short of the classic first one, it was the first significant output from either You May Also Like: Walter Becker,Read More

Lorenzo Feliciati more often than not finds himself making collaborative kind of music instead of solo projects. A virtuoso at both electric and acoustic bass, Feliciati needs no help, but recognizes that sometimes, getting together with other creative musicians results in an especially creative outcome. You May Also Like: ColinRead More

An assemblage of musicians the caliber of Marc Ribot, Ches Smith and Shahzad Ismaily usually signals that this is going to be seriously nerdy jazz, but Ceramic Dog is, in many ways, the exact opposite. You May Also Like: Marc Ribot’s Ceramic Dog – ‘Hope’ (2021) Marc Ribot’s Ceramic DogRead More

Alex Snydman grew up playing guitar and didn’t decide until he was already well into college to switch over to the drums. He’s been pushing hard to make of for lost time ever since, learning under masters like Eric Harland, Joe La Barbera and Damion Reid. You May Also Like:Read More

The word is out, David Murray is back with what should be an exciting new quartet, consisting of pianist Marc Cary, bassist Jaribu Shahid and drummer Nasheet Waits. You May Also Like: David Murray, Brad Jones + Hamid Drake – ‘Seriana Promethea’ (2022)

“I love feedback very much.” When you hear the noise art of Otomo Yoshihide, you understand what an understatement that is, coming from him. You May Also Like: Otomo Yoshihide & Chris Pitsiokos ‘Live in Florence’ (2020) Satoko Fujii + Otomo Yoshihide – ‘Perpetual Motion’ (2023)

In a happy accident last May — the result of a last minute cancellation — Italian percussion legend Andrea Centazzo suddenly found himself on stage with two of Japan’s premier improvisers You May Also Like: Illegal Crowns [Tomas Fujiwara, Mary Halvorson, Taylor Ho Bynum + Benoît Delbecq] – ‘Unclosing’ (2023)Read More

Emily Bear plays her piano with a finely nuanced touch, with both her comping left hand and a right hand that can cascade notes like sand pouring out of your hands. The song, her own, is a circular figure to which she discreetly adds graceful touches You May Also Like:Read More