Ivo Perelman and Joe Morris are hardly the first saxophone-guitar duo, but they take that combination to its highest possible level with ‘Elliptic Time.’

On ‘Seriana Promethea,’ David Murray, Brad Jones and Hamid Drake swagger their way through seven Murray originals and one really cool cover with relaxed confidence.

‘Unfamiliar Ceilings’ by violinist Lina Tullgren and koto player Alec Toku Whiting is an excursion into unfamiliar territory alright, but it’s territory where the ceilings look open like blue skies.

Joe McPhee’s got earnest humanity and spirituality coming out of his tenor sax by the buckets, qualities that for certain attracted him to Ivo Perelman.

The only thing ‘old’ about Bob James is his willingness to step outside his comfort zone, as evidenced by ‘2080’ with the young electronic whiz Sam Franz.

Hearing Roscoe Mitchell on ‘Reed Rapture in Brooklyn’ is a feast. Doing so with another vanguard saxophonist in Ivo Perelman makes it all the more special.

Satoko Fujii’s genius can be difficult to encapsulate on a single record. We may finally have a good starting point with ‘Hyaku: One Hundred Dreams.’

Colin Edwin, Jon Durant and Inna Kovtun offer a perfectly hybridized version of music from a great culture while providing help to preserve that culture.

Joe Lovano – a titan of modern and mainstream jazz – finds a lot of common ground with a titan of free jazz, Ivo Perelman.

Steely Dan burst onto the music scene 50 years ago this month with their platinum-selling debut. Here’s a deeper dive into ‘Can’t Buy a Thrill.’