The rougher edges of the guttural ‘Arise’ revisits the period when jazz and rock collisions created explosive music and rekindles the old magic with new vigor.

This Miles-meets-Mosada alchemy offers Interesting new twists.

The two words “Swallow” and “Nussbaum” used in close proximity to each other instantly conjures up John Scofield’s best pre-Still Warm disc, Shinola. Scofield’s compositions and arrangements on that live set demanded much from his rhythm section, and his rhythm section delivered in spades. You May Also Like: John ScofieldRead More

Provocative and fanciful, they bring Ellington and Strayhorn closer to us.

There’s a spiritual unity uncommon in much of jazz today, and even rarer in a debut album.

With only a few hours left, Amendola needs just a few more pledges.

Two Bay Area pacesetters of improvised and avant-garde music will soon join forces.

‘Numbers’ coolly delivers Payton’s message of natural flow. It’s funky-good, angular vibe jazz.

It doesn’t matter if the experimental music is being rendered by electric guitar or banjo, Seabrook uses technology, virtuosity and a deviously fertile mind to blow the minds of anyone who comes across these recordings. ‘Sylphid Vitalizers’ expands the world of what is possible with a banjo. And guitar, too.

As a collection of children’s songs for grown-ups, ‘Business Is Bad’ would be terribly silly if it wasn’t so damned inconspicuously clever. Thankfully, it *is* clever, and marks the return of Karen Mantler after nearly a decade and a half off without skipping a beat.