Articles by: S. Victor Aaron

Vinyl

Darius Jones + Matthew Shipp – The Darkseid Recital (2014)

Unpredictability and real passion characterizes ‘The Darkseid Recital’ as a whole, just as it did for Jones’ and Shipp’s amazing ‘Cosmic Lieder’, but those things are magnified from doing it from the stage. That’s the perfect way to follow up on that earlier, acclaimed duet.

Vinyl

Ricardo Tejero/Marco Serrato/Borja Díaz – Sputnik Trio (2014)

ree-form jazz doesn’t need to go on for mind-numbingly lengths if the musicians know what they’re doing. The Sputnik Trio have this all figured out.

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Interstatic – Arise (2014)

The rougher edges of the guttural ‘Arise’ revisits the period when jazz and rock collisions created explosive music and rekindles the old magic with new vigor.

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Exclusive stream: Zebrina with Ben Goldberg, “The Desert Speaks” from Hamidbar Medaber (2014)

This Miles-meets-Mosada alchemy offers Interesting new twists.

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Steve Swallow, Ohad Talmor, Adam Nussbaum – Singular Curves (2014)

The two words “Swallow” and “Nussbaum” used in close proximity to each other instantly conjures up John Scofield’s best pre-Still Warm disc, Shinola. Scofield’s compositions and arrangements on that live set demanded much from his rhythm section, and his rhythm section delivered in spades. You May Also Like: John ScofieldRead More

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Indigo Mist [Cuong Vu + Richard Karpen] – That The Days Go By And Never Come Again (2014)

Provocative and fanciful, they bring Ellington and Strayhorn closer to us.

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Jonathan Rowden Group – Becoming (2014)

There’s a spiritual unity uncommon in much of jazz today, and even rarer in a debut album.

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A final appeal for Scott Amendola’s Fade To Orange fundraising drive

With only a few hours left, Amendola needs just a few more pledges.

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Henry Kaiser (Yo Miles!) and Scott Amendola (Nels Cline Singers) plan a live-in-the-studio improv record together

Two Bay Area pacesetters of improvised and avant-garde music will soon join forces.

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Nicholas Payton – Numbers (2014)

‘Numbers’ coolly delivers Payton’s message of natural flow. It’s funky-good, angular vibe jazz.