Articles by: S. Victor Aaron

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Sebastian Noelle – Shelter (2016)

Five years seems too long between releases for modern jazz guitarist and composer Sebastian Noelle when the a release like ‘Shelter’ sounds so sweet.

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Denny Zeitlin – Early Wayne (2016)

Leave it to another groundbreaking veteran like Denny Zeitlin to give Wayne Shorter’s songs tributes that are actually worthwhile hearing nearly as much as the originals.

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Incognito – In Search Of Better Days (2016)

‘In Search Of Better Days’ never needs to go searching for a feel-good groove, because Bluey and the rest of Incognito are naturals at creating them.

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Grace Potter and the Nocturnals’ cocksure self-titled album finally brought them fame

Grace Potter and the Nocturnals’ second disc, issued in June 2010, found them ready to break out – even if it wasn’t their best work.

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In celebration of the Evan Parker’s complex, trippy The Moment’s Energy

Released in June 2009, the Evan Parker Electro-Acoustic Ensemble’s ‘The Moment’s Energy’ is made up of a continuum of evolving ideas, rather than actual songs.

Wilco (The Album) echoed, but didn't quite live up to Sky Blue Sky

Wilco (The Album) echoed, but didn’t quite live up to Sky Blue Sky

‘Wilco (The Album)’ arrived in June 2009 at a fork in the road: Would Wilco keep moving forward or stick with a winning formula?

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Deerhoof – The Magic (2016)

Even when reflecting on the 80s of their youth Deerhoof tends to favor making rock music the makeshift way most rock music was made in the 60s, and the method matters for this music.

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Larry Carlton was at his most approachable with Tak Matsumoto on Take Your Pick

Released by Larry Carlton and Tak Matsumoto in June 2010, ‘Take Your Pick’ wasn’t flashy, but its highly polished fretwork just might satiate your soul.

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Bobby Avey – Inhuman Wilderness (2016)

‘Inhuman Wilderness’ makes clear why Bobby Avey is an award-winning jazz composer and imaginative pianist.

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Cassandra Wilson’s slow-starting Loverly didn’t take her usual risks

‘Loverly,’ released in June 2008, wasn’t gutsy enough to be a top-echelon Cassandra Wilson album, though there were still plenty of enjoyable moments.