There is a display of chops going on with Burnt Belief’s “Ghosts Aquatic.” It’s all there in the guise of subtle sublimity.

Franklin Kiermyer’s “Heliocentric” premiered here — and the rest of ‘Closer To The Sun’ — reintroduces the audacious idea of jazz as a living, breathing thing.

Both soothing and stimulating, Asha Tamirisa’s ‘Callus/Redux’ is yet another worthy contribution of avant-garde electronic music that’s gender-less in sound and not so gender predominant in origin

‘Dead Man Dancing’ is Ethan Keller up close and personal, warts and all. And you know what? He’s still sounding good.

Rod Temperton has died at age 66, after rising to early fame as a songwriter for Heatwave.

Ian East’s ‘Inner Paths’ is an ethnic fusion album that’s fun to listen to now and will be fun to listen to a hundred plays from now. Getting a world music education can hardly be more enjoyable than listening to this.

Paying homage to a Charles Mingus masterpiece with inspired original material is just what you’d expect from the ever-curious, ever-expansive alto saxophonist Greg Ward.

‘Rich Man’ is a consolidation of Bramhall’s strengths as a straight-up rocker, Texas bluesman and modern soul crooner, self-produced in the psychedelic soul style of The Black Keys’ Dan Auerbach.

When Carl Weingarten decides to create his soundscapes with little or no augmentation from others, it’s a flair that can be appreciated and enjoyed at its maximum potential.

With the first post-Daevid Allen Gong album, the torchbearers of serious rock who don’t take themselves *too* seriously carries on confidently.