Lucas Lee offers a fascinating instrumental tale of the corporate world on the impishly titled ‘Business Brunch Specials: Uranium Omelet [With GMO-Free Brown Sauce].’
Billy Sherwood had huge shoes to fill as he replaced the late bassist Chris Squire for Yes’ Aug. 12, 2015 stop at Pier 6 in Baltimore.
Yes’ “The Prophet,” the lone Jon Anderson/Chris Squire collaboration on ‘Time and a Word,’ is a strong track hampered by heavy-handed production.
Released in July 1986, Neil Young’s ‘Living on Water’ began as a failed Crazy Horse collaboration. Then, it became something quite intriguing.
A Steve Lukather-sung ballad, “99” did respectively enough, reaching the Top 40. But why wasn’t it Toto’s biggest hit to that point?
Simon Phillips and his Protocol collaborators have nothing to prove, yet deliver another no-holds-barred jazz fusion album.
Yes’ “Sweet Dreams” may have a decidedly non-progressive rock feel, but it is one of the stronger compositions on 1970’s ‘Time and a Word.’
Chris Carver displays his formidable chops as band leader, producer, songwriter and keyboardist on ‘Ghost in the Machine.’
Toto’s proggy “St. George and the Dragon” failed to chart as the lead single from 1979’s ‘Hydra,’ but it’s only grown in estimation since.
Preston Frazier caught up with Lucas Lee to talk about ‘Normalcy Bias,’ plans for a follow up, his musical beginnings and albums that inspired him.
