Yes, “Tempus Fugit” from Drama (1980): YESterdays
Yes should have made “Tempus Fugit,” a gem among gems, the focus track on 1980’s ‘Drama.’
Articles by: Preston Frazier
Toto Tuesday, “You Got Me” from The Seventh One (1988): Toto Tuesdays
Toto’s ‘The Seventh One’ boasted a layered sonic sheen eclipsing anything else in 1988 – and no where is that more evident than “You Got Me.”
Bobby Kimball – We’re Not in Kansas Anymore (2017)
Bobby Kimball’s voice, which has lost little of its range and emotional presence, elevates ‘We’re Not in Kansas Anymore.’
Steely Dan, April 29, 2017: Shows I’ll Never Forget
Given the passing of a lot of musical heroes recently, Steely Dan’s impassioned, career-spanning turn was much appreciated.
Yes, “Run Through the Light” from Drama (1980): YESterdays
A re-tooled Yes continued to test their boundaries with “Run Through the Light” from 1980’s ‘Drama.’
Chris Greene, jazz saxophonist and composer: Something Else! Interview
Chris Greene joined Preston Frazier to discuss his genre-defying new album ‘Boundary Issues,’ and an unlikely origin story in jazz.
Lara Bello, “Sola” from Sikame (2017): One Track Mind
“Sola” is a perfect example of Lara Bello’s songwriting heft, lyrical gravitas and her engaging voice.
Chicago, “Just You ‘N’ Me” from Chicago VI (1973): Saturdays in the Park
With its stellar arrangements, impressive chops and smart production, Chicago’s “Just You ‘N’ Me” reached rare heights among pop-rock singles in 1973.
Yes, “Into the Lens” from Drama (1980): YESterdays
Yes has never sounded more like a cohesive unit than they do on “Into the Lens,” from 1980’s underrated ‘Drama.’
Fabian Almazan, jazz pianist with Terence Blanchard: Something Else! Interview
Fabian Almazan joined Preston Frazier for a Something Else! Sitdown to discuss a chance first meeting with Terence Blanchard, his musical roots, a new solo album and what’s next.
