Like all of Lucas Lee’s albums, nothing is left to chance, yet there is a level of passion which is so invigorating.

Billy Sherwood joined Preston Frazier to discuss Yes’ 50th anniversary plans, a new-look live album, and continuing work on a Chris Squire tribute project.

“Big Generator,” the title track from Yes’ 12th studio album, seems desperate in its need to sound modern.

This occasional look at road-worthy artists includes Esso Afrojam Funkbeat, Billy Sherwood’s World Trade, Tomi Malm and others.

China Crisis’ ‘Working with Fire and Steel’ has been expanded with two bonus discs that are equally as enchanting as the original release.

Toto’s greatest-hits album included bonus tracks with yet another new singer. Jean-Michel Byron wasn’t around long, but he left a lasting impression.

“Skinny Boy,” a song that later appeared on the Robert Lamm solo album of the same name, was this weird little treat to end a great Chicago album.

The fact that “Woman Don’t Want to Love Me” is a lesser song on ‘Chicago VII’ is a testament to how strong the rest of the album really is.

‘Wide Open’ may well be Michael McDonald’s most musically dense and compelling studio project – and that’s saying something.

What a way to end Yes’ ‘90125,’ the biggest album from the world’s greatest progressive rock band.