How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?

A newly unearthed demo reminds us of the genius of Steely Dan co-founder Walter Becker, and what a huge loss we suffered with his death.

Brownout’s instrumental explorations into the music of Public Enemy manage to tell a compelling, socially engaged story without using words.

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.

Leslie Johnson joins Preston Frazier to discuss his latest album ‘#3,’ and a newfound focus on getting deep into a groove.

Robbie Dupree, Chicago and Peter Banks are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Another collaboration between Anderson Bruford Wakeman Howe and Yes producer Jonathan Elias is torpedoed by questionable decisions.

Johannes Wallmann joins Preston Frazier to discuss ‘Love Wins,’ his journey to American shores and the on-going fight for marriage equality.

The supergroup GIG evolved organically with Bruce Gaitsch and Dave Innis providing most of the music and Randy Goodrum the lyrical heft.