“Program” seems to be a perfect start to McStine and Minnemann, who rose to separate fame with the Aristocrats and Lo-Fi Resistance.

Wolfgang Muthspiel, Populous and Susie Blue are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Billy Porter has released a new version of Stephen Stills’ classic “For What It’s Worth,” a Vietnam-era protest song that never feels dated. It’s predictably stirring.

Yes seemed to be marking the turning of a page – and, in a very real way, they were: “Time is Time” became a wonderful end for co-founder Jon Anderson.

Here’s a look back at a handful of modern-era Jackson Browne deep cuts, spanning his career from the late ’80s through the early ’00s.

This event serves as Part 2 of Ozomatli’s Worldwide Quarantine Block Party, and will be presented in conjunction with the non-profit House of Blues Music Forward Foundation.

Yes, it was bold, but this remake of “25 or 6 to 4” update ranks up there as one of my all-time favorite Chicago guilty pleasures.

Toto’s Leon Russell-inspired take on “It Takes a Lot to Laugh, It Takes a Train to Cry” is a fantastic end to an album which deserves a revisit.

Chicago’s “If She Would Have Been Faithful” reached No. 17, but quantity doesn’t mean quality.

While not as adventurous as the preceding “Dreamtime,” this simply fantastic ballad is executed with the level of finesse expected from Yes.