Terry Blade’s ‘Chicago Kinfolk: The Juke Joint Blues’ is a modern-day blues masterpiece that is as musically potent as it is culturally significant.

Dennis Mitcheltree and Johannes Wallmann’s ‘Holding Space’ is a collaboration between musical titans that is long overdue.

Fernando Perdomo has crafted another engaging chapter in ‘Waves,’ his ongoing prog-rock series. Is it better than the original LP? That’s a tall order.

The Omar Thomas Large Ensemble’s ‘Griot Songs’ is a nod to the West African tradition of sharing community history and tradition through storytelling.

‘Crowded House: Every Album, Every Song’ is an entertaining read for those interested in understanding the band’s artistry and the stories behind their music.

California-based James Booth and the Return are back with another eclectic full-length album that mixes prog, jam, and psychedelic rock.

Oz Noy and Andrew Synowiec spent just one day recording ‘Recreational Substance.’ The result is a powerful melding of guitar-inspired fusion.

Preston Frazier’s 2024 Best of Jazz list includes Madeleine Peyroux, Nick Finzer, Bobby Broom, Chris Greene, Rachel Z and Jun Iida, among others.

Preston Frazier shares his favorites from Bernie Chiaravalle and Fernando Perdomo to Alex E. Chavez and Parlor Greens on this list of the Best of 2024 in Rock.

Colombian jazz guitarist and composer Juan Dhas joined Preston Frazier for a deep dive into his new album, ‘Aether.’