John Frusciante has released a lengthy, darkly emotional rumination, written for a friend that went back to the guitarist’s days in the Red Hot Chili Peppers. Wayne Forman, tragically, died before he could hear this tribute. You May Also Like: When John Frusciante Returned to Solo Work on ‘Shadows CollideRead More

While there is an argument to be had about Baz Luhrmann’s temerity in remaking “The Great Gatsby,” you’ll get no such reservations when it comes to Jack White’s scorching version of this U2 deep cut from the forthcoming soundtrack. You May Also Like: Four Jacks and a Jill, “Master Jack”Read More

Guitarist Alan Morse joined us just before his band Spock’s Beard gathered to shoot a video for “Submerged,” offering his thoughts on their newly released album Brief Nocturnes and Dreamless Sleep and the band’s new frontman. You May Also Like: Neal Morse Did It All (Again) on ‘Songs from November’Read More

The standard-bearing harp influence of Walter Jacobs — he established the vocabulary still used by nearly every amplified modern player — is well documented. This guest-packed concert tribute reminds you of his composing prowess, too. You May Also Like: No related posts.

Missing longtime member Tom Pittman, but none of the knee-slapping fun, the Austin Lounge Lizards’ fizzy Home and Deranged takes on such typically topical subjects as airport patdowns, big-ego music stars, fat-cat bankers and government conspiracy theories. You May Also Like: Tom Shotton – ‘Forever Home’ (2021) Ed Roth –Read More

Midwesterner Dan Hazlett ambles out on The Corner of My Eye with a gently undulating cadence and an ever-so-comfy vocal on “The Alchemy of Fish,” beginning an album-long connection with every classic 1970s-era singer-songwriter type. You May Also Like: Jonathan Rowden Group – Skyward Eye (2017)

The center point of this new Fleetwood Mac EP is a track thought lost from the Buckingham-Nicks era, a song that once might have just been about being in love but now billows with a very mature sense of acceptance. You May Also Like: No related posts.

Michael McDonald’s “Judgement Day” has a ballsy gumption that his smoothed-out pop hits and plasticine Motown remakes scarcely aspire to.

Sasha Papernik isn’t the first person to attempt to untangle the verities of love in song. Yet Victory, a dark and dangerous piece of noir-inspired songcraft, lures you in anyway. You May Also Like: No related posts.

The sound is bad, and the image is worse. But we’ve gotten a glimpse into a third track from Black Sabbath’s forthcoming Ozzy Osbourne reunion record with “Methademic,” a track that seems sadly appropriate considering Ozzy’s latest back slide You May Also Like: Why Black Sabbath Went Out on aRead More