This lo-fi ’90s-era Grateful Dead concert holds lasting significance since it documents their intriguing collaboration with Bruce Hornsby.

Sounding a bit like Elton John if he’d gotten himself locked outside of an impressionistic art exhibit on a stormy night, “Vain” comes trickling in almost as if it’s atop a lazy stream You May Also Like: Casey Golden – ‘ATLAS’ (2018) Jason Stein + Adam Shead – ‘Synaptic Atlas’Read More

Justin Hayward and the Moody Blues kicked off another series of concert dates last night, and he’s making the case for their current lineup as the best ever. That’s saying something for a band that started in 1964. You May Also Like: No related posts.

“I haven’t heard this in 35 years,” Gregg Rolie allows, as he and guitarist Alan Haynes launch into a searching version of the title track from Journey’s 1976 album Look Into the Future. It’s never sounded better. You May Also Like: No related posts.

Paul McCartney, in his green metal suit, prepares once again to shoot up the city. And the ring at the end of his nose (oh, yes it does) makes him look rather pretty. And just like that, Rockshow — this once lost artifact — is underway. You May Also Like:Read More

Beginning with an anthematic countdown to liftoff, the lead song from Nik Turner’s forthcoming Cleopatra Records studio effort couldn’t sound less like its name. “Fallen Angel STS-51-L,” quite simply, begins with all engines firing. You May Also Like: Punky Meadows – Fallen Angel (2016) Archon Angel – ‘Fallen’ (2020) ‘BachmanRead More

Black Sabbath’s ’13,’ their first full-length LP with Ozzy Osbourne since 1978, is a testament to the ties that bind, and to still sounding as evil as shit.

John Mellencamp’s top billing owes more to his work with writer Stephen King on the narrative that would become a play called Ghost Brothers of Darkland County. He sings just once here, giving the album over to a host of guest stars You May Also Like: John Mellencamp’s ‘Freedom’s Road’Read More

It would be easy enough to pigeonhole Beto Hale’s new album as Beatlesque. After all, it includes work from two former Fab collaborators, including bassist Tony Levin. But Rebirth distinguishes itself from that easy comparison You May Also Like: No related posts.

This isn’t about singles, isn’t about a moment in time — a passing thought. No, Houndmouth’s From the Hills Below the City is an experience, expressed through the currency of relationships not encounters, constructed as a narrative. You May Also Like: Greg Brown’s ‘In the Hills of California’ Finally ReproducedRead More