Peter Gabriel, “Why Don’t You Show Yourself” from Words With Gods (2014): One Track Mind
Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.
Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.
The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.
The majesty of Jeff Beck at his best isn’t just his technical prowess. It’s how he charges through boundaries like a paper pre-game banner.
Tony Levin takes us to the genesis of this Scott Schorr co-produced effort, and talks about the possibility of future projects with Pete Levin.
If you’re riding with Jack White, you’d best buckle up. He’s going to take more sharp turns in one album than most artists dare in a career.
A newly released set of Wilco rarities gives us a chance to finally to live in a world were everyone has heard “Blasting Fonda.”
There’s a comfort level on Steve Hunter’s rangy, intimate ‘Tone Poems Live’ that brings out the best of a truly great player.
‘At the BBC’ finds Todd Rundgren in a particularly fizzy moment, as he moves from classic pop structures to prog and then into psychedelia.
After a period of retrenchment that saw Marcus Roberts rejoining early mentor Wynton Marsalis, this shows he’s ready for a more adventurous path.
Peter Banks Empire is a lost treasure from a time when prog badly needed something to restore its creative momentum.