Diana Krall is better than these arrangements, better than this album, better than she’s too-often presented — even though those records sell the most.

‘Freedom Highway Complete’ makes viscerally clear that the Staple Singers, though they’d moved far afield of gospel, could still rattle the back pews.

“Beryl” reminds us of why Mark Knopfler became famous in the first place – even as it seems to retrace the steps that led him away from that fame.

‘Infinity,’ released on January 20, 1978, saw Journey add Steve Perry. As ‘Feeling That Way/Anytime’ showed, they’d never be the same again.

‘Complicated Game,’ James McMurtry’s first album in seven years, finds his narrative rigor once again in sharp focus.

With ‘XIV,’ Toto has produced a visceral, entirely present return, one that acknowledges their best moments even as it builds upon them.

Former Genesis guitarist Steve Hackett blasted the ‘Sum of the Parts’ documentary as incomplete, even biased. He was right.

John Oates’ intimate forthcoming live release, ‘Another Good Road,’ gives us new perspective on an exciting period of musical growth.

Harry Nilsson, who died on Jan. 15, 1994, inspired Ringo Starr to one of his best solo moments almost exactly 14 years later.

That Kevin Eubanks and Stanley Jordan offer fine takes on jazz staples here comes as little surprise. But Ellie Goulding’s “Lights”