Allen Toussaint – ‘Connected’ (1996)
Fans of his so-called comeback projects shouldn’t skip over ‘Connected’ as they make a bee line for Allen Toussaint’s classic-era albums.
Fans of his so-called comeback projects shouldn’t skip over ‘Connected’ as they make a bee line for Allen Toussaint’s classic-era albums.
The Beatles’ ‘Revolver’ became their best album as the group made its first genuine foray outside of already-comfortable pop-song structures.
by Nick DeRiso A line-up from jazzer nirvana is one thing. Wringing such ringing performances out of the guys is quite another. Call this cool vibes from vibrophonist Hampton, who certainly knows where to mail the invitations — a veritable who’s-who of jazz for the newbie: Pianist Hank Jones, trumpeterRead More
This stark-red Paul McCartney release, issued as the Fireman, turned out to be one of the wackiest Beatles solo releases ever.
by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More
by Nick DeRiso One of her best Rounder releases, and hilariously named, is “Let Me Play With Your Poodle.” Featured is legendary guitar virtuoso Clarence Holliman, the guy who burned through Bobby “Blue” Bland’s classic 1950s and ’60 sessions. In fact, the old album titles tell it best, when talkingRead More
by Nick DeRiso Rainbow Mist, Coleman Hawkins’ 1944 smoker on Delmark, was a brilliant record borne out of boredom. Hawkins, the tenor saxman, had already made his splash with the song “Body and Soul,” back in 1939. When he returned from living in Europe for five years, he took aRead More
by Nick DeRiso “Sitting on a suitcase, in the Memphis depot – wishing to God I could fly,” sings Clarence “Gatemouth” Brown on my old record. “Catching this train is my way of telling Memphis and Mildred goodbye.” People have actually asked me to bring it to parties. The albumRead More
Neatly mixing two of our favorite topics, Branford Marsalis pays no empty lip-service to exploring blues through the jazz idiom here. In fact, you don’t have to listen more than once to hear that’s he’s gone off the deep blue end. Any CD with appearances by B.B. King, Linda HopkinsRead More