NICK DERISO: Before going out on his own, pianist Marcus Roberts learned an important thing from former bandleader Wynton Marsalis: This ability to use standards to create a context for original compositions. Marsalis had, at this point, moved away from all-original content into a tight embrace of the repertoire —Read More
NICK DERISO: News that jangle-pop favorites the dBs (featuring on-again, off-again New Orleans resident Peter Holsapple) have gotten together to put down some new tracks brought me back to 1991’s “Mavericks,” a thoughtful record that would have sounded perfectly at home on an early 1980s college-rock station. Holsapple and ChrisRead More
NICK DERISO: Harp player Rice Miller — better known as Sonny Boy Williamson II — used to sludge across Weston’s yard on the way to parties and dances, a leather belt festooned with harmonicas strapped across his chest. Robert Johnson’s stepson, Robert Jr. Lockwood, was the first guitar player thatRead More
The concert had been over for hours, forever. But B.B. King was just getting started.
NICK DERISO: The story goes: Someone asked Fats Waller what jazz is. His reply? “If you don’t know, don’t mess with it.” Clarence “Gatemouth” Brown messed with it on “Just Got Lucky,” and with fine results. In fact, it seemed his string-bending solos found themselves most at home in theRead More
NICK DERISO: Dug up from some old dusty box in brother Ira’s attic, this scratchy, other-worldly epiphany issued by BMG is remarkable for its ethereal emotion, ageless grace and surprising reliance on (gasp!) commercialism to push art. The first 12 tracks are acetates from “Music by Gershwin,” 15-minute radio programsRead More
NICK DERISO: A trip through the Mississippi Delta this week had me thinking about the old Rooster Blues Records label. Located from 1988-98 inside the Delta Record Mart on Sunflower Avenue in Clarksdale, Rooser Blues releases can still be found in a riverboat-shaped downtown building called Dela’s Stackhouse. “Coahoma theRead More
NICK DERISO: This release came in the wake of an ambitious year that saw Connick issue both a big-band swing record and a three-piece jumping jazz record without vocals. Not only do I not have to tell you which one sold, I don’t have to tell you which style HarryRead More
The hard-punching Charles Thompson is best known, if he’s known at all now, as a deep-background member of the Coleman Hawkins/Howard McGhee band from this period. On “Takin’ Off,” however, Thompson’s frisky rhythm and round-house experimentation are a constant reminder of just how underappreciated he remains. Thompson wasn’t simply aRead More
In anybody else’s hands, this new Mavis Staples album would have been a museum piece, interesting but ultimately dust-covered and remote. Not that “We’ll Never Turn Back” (to be issued on Tuesday by Anti- records) doesn’t have plenty of right things to say, and certainly plenty of righteous things, inRead More
