NICK DERISO: Sam Cooke, for all his power and grace as a singer, established this strikingly brief legacy during the time of the Hit Single. Which meant Cooke’s most well-known albums of the early 1960s were often dotted with dated filler, tunes in the Broadway style of the day orRead More

There is a grail-like anticipation to these recordings, captured during four live performances just as trumpeter Miles Dewey Davis’s career transformed from a twinkling light at dusk into remarkable super nova. Too, these aren’t your run-of-the-mill sideman constellations; they are, actually, all stars. Namely, the band features a still-rising JohnRead More

You’re to be forgiven — even if you were there — for missing this one. Seems, because of lengthy set overruns by the bands that preceded them, the Who didn’t take the stage at the 1970 Isle of Wight Festival until the no-kidding hour of 3 a.m. (The bill thatRead More

NICK DERISO: Funny thing about that modern-day romantic Harry Connick Jr.: Before this decade-old release, he hadn’t ever explored a song cycle about, and only about, love. Oh, Connick would take his shots, now and then. But always with a dash of popcraft crooning, light New Orleans funk or swash-bucklingRead More

There was, for a pairing of musicians so closely associated with other forms, an irrepressible blues feel to 1961’s “Bags Meets Wes,” reissued this year as part of the Keepnews Collection. That makes a chance meeting between Milt Jackson (longtime member of the complex, often formal Modern Jazz Quartet) andRead More

Urged on by a buoyant audience, Cannonball Adderley’s “Walk Tall” becomes both a call to action and a celebration of spirit.

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

R.L. Burnside’s ‘First Recordings’ was the result of a neighbor’s recommendation: “I know who that be.”

We think of him as a famous jazz guy. But those who knew Charlie Haden as a child remember him as a bluegrass prodigy in a traveling musical group of relatives.

NICK DERISO: While Rubalcaba was making troubling (if not downright boneheaded) political decisions, he was also proving to be an inspiring (and sometimes downright thrilling) young pianist. Not long after Rubalcaba said the crippling Communist regime in his native Cuba wasn’t all that bad, after all — much to theRead More