by Nick DeRiso General Patterson’s “Shackville,” recorded with former bandmates from north Louisiana bar-band legends Howard Shaft, moves like a warm, rustling breeze through the treetops. Surprising, indeed, for an on-stage performer known for his rumbling Southern-fried blues grind. Where Patterson’s shows typically push out from the stage with aRead More

You made out to Al Green. It’s what worked. Only later, did you realize all that had gone on in those records, starting with this — Green’s first charting hit, “Tired of Being Alone.” His is a voice that whips around, like a sparrow, from flat-footed baritone — all silky-smoothRead More

by Nick DeRisoThough Jimmy Smith is the principal voice of the Hammond B-3 in jazz, finding an entry point in his long discography can be difficult. Some might argue for 1956’s “At the Organ,” featuring Cedar Walton, Pepper Adams and Chick Corea. For me, though, that one doesn’t pop withRead More

by Nick DeRiso Violinist Mark O’Connor continues one of the most fascinating, brilliantly original re-imaginings of classical music in our time with “Nos. 2 and 3.” He works not in the dusty pages of the familiar, but in a refreshing vernacular — and, along the way, imbues this OMAC RecordsRead More

Only Michael Jackson could have done so much so quickly to obscure the ass-shaking, barrier-breaking brilliance of his own music. He was that famous. It’s always pissed me off, and never more so than today — when Jackson finally succumbed to the swirling demons of his own life. I thinkRead More

Refined, yet deliciously groovy, 72-year-old Johnnie Bassett’s music — and his bearing — belies his family’s rascally bootlegger roots. It’s perhaps no surprise, though, that many of the more well-known Florida-area bluesmen of the Prohibition era — Arthur “Big Boy” Crudup, Lonnie Johnson, Tampa Red — would stop by toRead More

by Nick DeRiso More musical journey than greatest hits, per se, “Let It Roll” is a primer on George Harrison for those who never got past his time with Beatles — and yet a still-intriguing way to reexperience some of his best solo cuts for those who followed along afterRead More

Bill Champlin has a face to match his voice — rugged and sharp-edged, a great gravelly visage.

A tucked-away treasure, the Meters never found their own fame like Booker T. and the MGs. No matter. Let it be our secret. Our funky, funky secret.

Koko Taylor, a sharecropper’s daughter, crafted a five-decade hall of fame career that eventually earned her the nickname “Queen of the Blues.”