John Coltrane Quartet – ‘Africa/Brass’ (1961)
Even decades later, ‘Africa/Brass’ still casts John Coltrane – and this is saying something – in a new, insistently inventive light.
Even decades later, ‘Africa/Brass’ still casts John Coltrane – and this is saying something – in a new, insistently inventive light.
By Nick DeRiso One of three jazz-legend siblings, Hank Jones was perhaps as unassuming as his brother Elvin (nine years younger, famously of the John Coltrane group) was the outsized extrovert. Feathery light, then concisely powerful at the piano, Hank concluded an intellectual, often overlooked eight-decade career on Sunday whenRead More
by Nick DeRiso All apologies to Roger Waters, who’s dragging it back on the road for a series of 30th anniversary concert performances, but I was never all that into Pink Floyd’s “The Wall.” Too much talking, not enough — you know — music. While working out issues in dealingRead More
by Nick DeRiso Bassist Charles Mingus, an enlightening yet stormy presence, clearly felt he had unfinished business with some of his earlier work. So, he used “Mingus Mingus Mingus Mingus Mingus” and a move to the more creatively open Impulse! label to take another pass at them. That turned intoRead More
by Nick DeRiso Luis Bonilla’s “I Talking Now” (NJCO/Planet Arts), from the first bristling blast of trombone on the title track, is dashing down a busy city street. It’s difficult to tell, at first, if he’s running away from or toward something. Whatever the apprehensions, you are quickly surrounded byRead More
There is a whole lot of fun, but also a riveting intensity about “When the Saints Go Marching In,” this touchstone for everything that made Louis Armstrong.
Today, we remember Texas jazz guitarist Herb Ellis, who has passed at 88 in his Los Angeles home after a long bout with Alzheimer’s. Over a career that spanned six decades, Ellis worked with a number of legends, including Ella Fitzgerald, Jimmy Dorsey, Louis Armstrong and in the classic line-upRead More
Bursting forth as rock teetered between too-big prog pyrotechnics and mawkishly symphonic concept records, it comes as little surprise that Big Star seemed to disappear with barely a ripple. That, and the fact that Alex Chilton, who died yesterday at 59 after a heart attack, always seemed to be disappearing,Read More
by Nick DeRiso You hear Beatles songs remade by jazz musicians with notable frequency, some more successful (Jaco Pastorius‘ glorious reading of the oft-covered “Blackbird” from “Word of Mouth”; a just-right “All My Loving” on “Basie’s Beatles Bag”; Ramsey Lewis‘ underrated “Hard Day’s Night” from “Finest Hour”) than others (almostRead More
Sam Newsome, who first came into wider notice as a tenor-playing member of the Terence Blanchard Quintet in the early 1990s, takes the soprano to places both familiar and new on “Blue Soliloquy.” Subtitled “Solo works for the soprano saxophone,” it’s Newsome’s tone-poem love letter to what makes his newRead More