by Nick DeRiso News this week that Buddy Guy had been Grammy nominated for best contemporary blues album had me revisiting the scalding blisses of Living Proof. I loved it from the first solo, this sharp outburst of gnarled sexuality on “74 Years Young”: “There ain’t nothing I haven’t done,”Read More

by Nick DeRiso The worry, with any rock-guitar virtuoso’s recording, is that it will quickly devolve into onanistic noodling. But Tony Savarino’s Guitaring adroitly sidesteps the problem with a keen eye for variety, and a welcome sense of unselfishness in the studio. The Boston-bred musician is a dabbler, with aRead More

By Nick DeRiso At once neo-renaissance, new age and something akin to blissed-out bluegrass, Erwilian’s holiday-themed concert recording Midwinter’s Night neatly sidesteps the pre-conceived notion of sickly sweet Yuletide fare. Midwinter’s Night, instead, is a concert souvenir from warm night of remembrance, affection and camaraderie – sparked by these friendly-as-familyRead More

by Nick DeRiso A group of cross-country friends with day jobs got together to produce Rochester Express, this chummy, Woody Herman-style amalgam of galloping jazz joys. By day, the members of Rochester, Minnesota-based TakeTwo work as a cardiovascular surgeon, a respiratory therapist, and an IBM engineer. In this two dayRead More

by Nick DeRiso The Orb’s signature sound — gorgeous but not quite ambient, hypnotic but typically not much more rhythmic than a chill-out room — always seemed to cry out for the guitar stylings of Pink Floyd’s David Gilmour. The band copped to the underlying influence on its debut album,Read More

by Nick DeRiso An album about dreams reclaimed, Murray Flint’s The Journey traces his own road back from painfully debilitating tendonitis. After nearly a decade away from the guitar, the Olympia, Wash., resident discovered a finger-style approach long associated with Merle Travis. This technique simultaneously sounds more complex, since theRead More

A massive reissue project from Apple Records had me digging back through the old Billy Preston sides. None is more titanically funky, and lastingly influential, than “Outa-Space,” with its grease-fire groove and afro-shaking new clavinet sound. “Outa-Space” is not to be confused with his similarly named No. 4 hit ofRead More

In a time of buttoned-down, procedural rock records, Alex Hirsch is still admirably working toward one of those old-school Grand Statements that defies category. Hirsch, whose dad is television and Broadway star Judd Hirsch of “Taxi” fame, brilliantly races through musical subgenres – and personas – on Naturally. That makesRead More

Grateful Dead co-founder Bill Kreutzmann, great groovy Meters bassman George Porter Jr. and hoodoo guitarist Papa Mali have joined together.

Cassandra Wilson, who consistently defies convention as this restless chanteuse, doesn’t disappoint with Silver Pony — issued today on Blue Note as the long-awaited part-in studio, part-live followup to her celebrated Loverly. She has the vocal phrasing, the dusky intellect, of Charlie Parker and the elastic intuition of Betty Carter.Read More