Photograph by Amy Dey by Nick DeRiso A radiant uncertainty runs through “Maybe,” Emily Hearn’s song about the confusion and memorable pain of a lonely young heart. OK, there’s a girl, and there’s a guy, and the guy won’t give her the time of day. This, we’ve heard before. ButRead More

by Nick DeRiso Mark “Pocket” Goldberg’s Off the Alleyway, a rootsy Americana recording with the flickering neon-soul of a blues joint, stays well away from the beaten path. His sound is as eclectic as the country’s rolling byways, bringing in low-country pedal steel, back-pew harmonizing, the nostalgic wheeze of anRead More

Densely layered, with an elegant construction, Black Dub doesn’t start out all that much differently from your average recording by uber-hip producer Daniel Lanois. Then something welcomely dangerous, almost feral, happens. Lanois — famous for his work with U2, Bob Dylan and Peter Gabriel, among others — is the firstRead More

by Nick DeRiso News this week that Buddy Guy had been Grammy nominated for best contemporary blues album had me revisiting the scalding blisses of Living Proof. I loved it from the first solo, this sharp outburst of gnarled sexuality on “74 Years Young”: “There ain’t nothing I haven’t done,”Read More

by Nick DeRiso The worry, with any rock-guitar virtuoso’s recording, is that it will quickly devolve into onanistic noodling. But Tony Savarino’s Guitaring adroitly sidesteps the problem with a keen eye for variety, and a welcome sense of unselfishness in the studio. The Boston-bred musician is a dabbler, with aRead More

By Nick DeRiso At once neo-renaissance, new age and something akin to blissed-out bluegrass, Erwilian’s holiday-themed concert recording Midwinter’s Night neatly sidesteps the pre-conceived notion of sickly sweet Yuletide fare. Midwinter’s Night, instead, is a concert souvenir from warm night of remembrance, affection and camaraderie – sparked by these friendly-as-familyRead More

by Nick DeRiso A group of cross-country friends with day jobs got together to produce Rochester Express, this chummy, Woody Herman-style amalgam of galloping jazz joys. By day, the members of Rochester, Minnesota-based TakeTwo work as a cardiovascular surgeon, a respiratory therapist, and an IBM engineer. In this two dayRead More

by Nick DeRiso The Orb’s signature sound — gorgeous but not quite ambient, hypnotic but typically not much more rhythmic than a chill-out room — always seemed to cry out for the guitar stylings of Pink Floyd’s David Gilmour. The band copped to the underlying influence on its debut album,Read More

by Nick DeRiso An album about dreams reclaimed, Murray Flint’s The Journey traces his own road back from painfully debilitating tendonitis. After nearly a decade away from the guitar, the Olympia, Wash., resident discovered a finger-style approach long associated with Merle Travis. This technique simultaneously sounds more complex, since theRead More

A massive reissue project from Apple Records had me digging back through the old Billy Preston sides. None is more titanically funky, and lastingly influential, than “Outa-Space,” with its grease-fire groove and afro-shaking new clavinet sound. “Outa-Space” is not to be confused with his similarly named No. 4 hit ofRead More