There can’t be any better way, really, for a suddenly unveiled track from Paul Westerberg to begin than with a false start, followed by the erstwhile Replacements leader blurting out: “Fuck me.” You May Also Like: No related posts.
Jazz guitarist Charlie Hunter has the blues, or at least his version of such things, on this new song. You May Also Like: Rob Dixon Trio, with Charlie Hunter and Mike Clark – Coast To Crossroads (2018)
There’s an epic sweep to Joseph Mulhollen’s third effort, this layered melding of acoustic elegance and crunchy electronic sounds that constantly confounds expectations — even as it delves into deeply emotional places. You May Also Like: Eric Burdon and the Animals’ Self-Titled Debut Was a Dark, Dirty Triumph Joseph BranciforteRead More
The opening track from guitarist Steve Hackett’s forthcoming Genesis Revisited II project premiered just moments ago on planetrock.com, giving prog rock fans a sneak peek into this guest-packed tribute project. The redo of “Chamber of 32 Doors,” originally included on Peter Gabriel’s swan song with Genesis The Lamb Lies DownRead More
A new video gives us our most complete listen yet as Jeff Lynne seeks to reimagine a series of his classic moments with the Electric Light Orchestra. You May Also Like: When Jeff Lynne’s ELO Triumphantly Returned With ‘Live in Hyde Park’
For all of the promise that greeted their time apart — we’ll get four Beatles albums a year now! — the reality was far different as Paul McCartney, John Lennon and George Harrison embarked on solo careers. You May Also Like: Yes, ‘Now and Then’ Is an Actual Beatles Song
Steve Gadd takes us inside mythical sessions with Paul Simon, Paul McCartney and Steely Dan.
Famous for his work with Paul Simon and Steely Dan, Steve Gadd has an interest in a vast array of styles.
The intrigue of compilations like this is when seemingly incongruent artists successfully combine, or when somebody turns a familiar tune inside out.
There was a time when reviving the delicate wonders of the Gershwins and Cole Porter represented the leading edge of vocal songcraft. You May Also Like: On Broadway: The Songs of Barry Mann and Cynthia Weil (2016)
